【中华文化，相约巴黎文化艺术行线上展】——推荐艺术家崔培鲁

【中华文化，相约巴黎文化艺术行线上展】

【ChineseCulture,meetParisCultureandArtTravelOnlineExhibition】

——推荐艺术家崔培鲁

--Recommended artist CuiPeilu

崔培鲁，字也鲁,号鲁芳斋主,1944年出生于山东枣庄市。早年就读于临沂艺校师从薯名画家王小古和皮之先,后入中央姜院国画系研修班深造。原为山东画院高级画师、枣庄市山亨区政攻协副主席。1992年应调深圳特区,创办南山画院并出任南山区文化馆长。1994年刘海粟大师为其葡萄图题写了"气韵生动”的贊语并收为关门弟子。

Cui Peilu, styled Lu, Lord Lu Fangzhai, was born in Zaozhuang City, in 1944 in Shandong Province. In his early years, he studied in Linyi Art School under the famous potato painter Wang Xigu and Pi First, and then entered the Department of Chinese Painting of Central Jiang Academy. Former senior painter of Shandong Art Academy, vice chairman of Zaozhuang Shanheng District Political Attack Association. In 1992, he was transferred to Shenzhen Special Economic Zone, founded Nanshan Painting Academy and served as the cultural curator of Nanshan District. In 1994, Master Liu Haisu wrote a praise of "vivid charm" for his grapes and accepted it as a disciple.

崔培鲁先生潜心于中国画创作五十余年是当今较有影响力的中国画坛领军人物。其代表作葡萄和牡丹等曾被收藏于首都北京人民大会堂、美国维吉尼亚州国家博物馆及我国驻外大使馆领事馆等众多中外机构。先后出访美国、日本、英国、印度及东南亚港澳等国家和地区举办个人画展和学术交流。相继荣获”国际书画名人成就奖”及“世界文化艺术交流功勋金奖”。

Mr.Cui Peilu has been working in Chinese painting for more than 50 years and is an influential leading figure in Chinese painting. His representative works of grapes and peonies have been collected in the Great Hall of the People in Beijing, the National Museum of Virginia, the consulate of Chinese embassies abroad and many other Chinese and foreign institutions. He has visited the United States, Japan, the United Kingdom, India, Southeast Asia, Hong Kong and Macao and other countries and regions to hold individual art exhibitions and academic exchanges. It has successively won the "International Calligraphy and Painting Celebrity Achievement Award" and the "World Cultural and Art Exchange Gold Award".

作品入编人民美术出版社与中央美院联合出版发行的《中国高等美术院校教学范本·崔培鲁作品》。曾被中国文联出版社列举为《中国艺坛五大流派》之首。2022年10月被中国非物质文化遗产委员会授予“崔培鲁非遗名家工作室”匾额。2023年8月参加全国丝路艺术大展，荣获“杰出贡献奖”。被誉为“文化强国~民族艺术家”和”时代标杆~正能量文艺工作者”。2023年底被联合国有关机构授予“金砖艺术家”及“文化宣传大使”等荣誉称号。近两年相继应邀入编《中国美术史》。《中国书法史》及《中国美术通史》等重要典籍。

His works are included in the works of Cui Peilu, Teaching Model of Chinese Higher Fine Arts Colleges, jointly published by People's Fine Arts Publishing House and Central Academy of Fine Arts. It has been listed by the China Federation of Literary and Art Press as the first of the five schools of Chinese art circle. In October 2022, he was awarded the plaque of "Cui Peilu Intangible Cultural Heritage Master Studio" by the Chinese Intangible Cultural Heritage Committee. In August 2023, he participated in the National Silk Road Art Exhibition and won the "Outstanding Contribution Award". It is known as "cultural power ~ national artist" and "benchmark of The Times ~ positive energy literary and art workers". At the end of 2023, he was awarded the honorary titles of "BRICS Artist" and "Cultural Publicity Ambassador" by relevant UN agencies. In recent two years, he was invited to compile the History of Chinese Art. The History of Chinese Calligraphy and the General History of Chinese Art and other important classics.

他现为北京大学艺术学院客座教授、香港高等美术学院特聘教授、北京胡润国际艺术品鉴定中心首席专家、中国美术家协会会员、中华名人协会会员、中国和平统一促进会书画联谊委员会委员、中国书画家联谊会理事、中国东方文化研究会高级艺术顾问、全球华人华商联合总会顾问兼书画院名誉院长、第七届全球少年书画大会分会场评委和导师。

He is a visiting professor of Beijing university school of art, distinguished professor of Hong Kong academy of fine arts, Beijing hurun international art appraisal center chief expert, member of Chinese artists association, the China council for the promotion of peaceful reunification of calligraphy and painting fellowship committee, director of China Oriental culture association, senior art consultant, global Chinese Chinese association consultant and honorary President of the academy, the seventh global youth painting and calligraphy conference at the judges and mentor.

因为他的国画作品带有鲜明的现代主义风格，清新悦目是时代审美的超凡脱俗。从他的画里可以读到当代审美对形态美的主流追求，当然在形态美的倪裳的之下，又不会缺少内涵美的精心酝酿，形韵双佳时代风华！所以称谓现代国画恰如其分，这也是崔培鲁先生国画艺术与古为新，善于创建的功勋照见！崔培鲁先生修炼丹青主创葡萄一题，晶莹剔透，虽然是小写意的手法，却是超写实的高度。寻觅画坛葡萄的神写奇才，除了崔培鲁先生很难再寻到像他这种把葡萄专题推到极致巅顶的大手笔。据笔者深入了解，崔培鲁先生画葡萄非常善用没骨画法，表现葡萄叶蔓珠玑的自然神质。叶如翡翠，粒如龙珠，吹弹可破，气韵生动。中国画的没骨画法，更能切近自然物象的本质属性，他除去先勾勒再赋彩的障碍，在青绿之中洇湮进淡墨，淡墨在青绿之中产生了妙似天工的络迹，似有似无，把叶脉画得妙在似与不似之间，这正是以墨为器，以水为道而达成的妙在自然的形质魅力，仅这葡萄叶子的惟妙画法，足可以让他的丹青水准处于巅顶境界他画葡萄的手法，空前而能绝后，唯我则为独尊。可以比较一下，自古至今，没有人这样出神入化地奇绘这样的葡萄质感！神在调色，妙在施水。把胭脂、花青、墨依不同的比例调和出晶而不厉，莹而不浮的色韵，不仅只有传统的色彩铺陈手法，还介入了油画光影的塑造的巧妙，把葡萄画出了气韵感，还画出空间感，立体饱满，珠珠诱人，可令观赏者垂涎陶醉！粒粒有形之美，有色之惑，有甜之味，葡萄是画奇了的结果，是画神了的高度！粒粒醉人眼，悦人心

Because his traditional Chinese painting works with a distinct modernist style, fresh and pleasing to the eye is the extraordinary aesthetic and refined of The Times. From his paintings, we can read the contemporary aesthetic mainstream pursuit of the form of beauty, of course, under the form of beauty Ni Chang, there will be no lack of the connotation of beauty carefully brewing, shape and rhyme double beautiful era elegance! So the title of modern Chinese painting is appropriate, this is also Mr.Cui Peilu Chinese painting art and ancient for the new, good at creating the achievements seen! Mr.Cui Peilu practices the main creative grapes a problem, crystal clear, although it is a small freehand brushwork technique, but it is the height of the super realistic. Looking for grapes in the painting world, except for Mr.Cui Peilu is difficult to find such as him to push the grape theme to the extreme top. According to the author's in-depth understanding, Mr.Cui Peilu painting grapes is very good use of boneless painting method, showing the natural god of grape leaves. Leaves such as jade, grain such as a dragon ball, blow the bomb can be broken, vivid charm. No bones of Chinese painting painting, more can cut the nature of the natural properties, he remove the outline of colorful obstacles, in the green Yin annihilation into light ink, light ink in the green produced wonderful like heaven, like like no, the veins painting wonderful between like and not like, it is with ink, with water and form in the natural charm, only the grape leaves, enough can let his painters level at the top of the state he painting grape technique, unprecedented and can, only I is exclusive. Can compare, since ancient times, no one so fantastic painting such grape texture! God is in the color, wonderful in the water. The rouge, green, ink according to different proportions of crystal and not sharp, jade and not floating color rhyme, not only the traditional color spread technique, but also involved in the painting of light and shadow, the grapes painted a sense of charm, also draw a sense of space, three-dimensional full, pearl beads attractive, can make viewers salivate intoxicated! The tangible beauty, the confusion of color, the sweet taste, grapes are the result of painting, is the height of painting god! Grain to intoxicate the eye, pleasing.